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Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
--Ivonnie Indrawan
College student
Sentence Openers on KINDLE

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All my books are now in KINDLE



Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

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The most beloved short story from Spanish literature
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Thursday, September 29, 2011

Lazarillo of Tormes: Chapter 5c About the Pardoner

The Life of Lazarillo de Tormes and of His For...Image via Wikipedia
Some of the respectable men there wanted to get up and throw the constable out of church to avoid any scandal. But my master stopped them and told them all not to bother him under penalty of excommunication. He told them to let him say anything he wanted to. So while the constable was saying all that, my master kept quiet, too. When he stopped speaking, my master told him if he wanted to say anything more he should go ahead. And the constable said,
“I could say plenty more about you and your dirty tricks, but I've said enough for now.”

Then the pardoner knelt down in the pulpit, and with his hands folded, and looking up toward heaven, he said:
“Lord God, to whom nothing is hidden and everything is manifest, for whom nothing is impossible and everything is possible, you know the truth of how unjustly I have been accused. As far as I am concerned, I forgive him so that you —Oh Lord!— may forgive me.  Pay no attention to this man who knows not what he says or does. But the harm that has been done to thee, I beg and beseech thee in the name of justice that you do not disregard it.

“Because someone here may have been thinking of taking this holy indulgence, and now, believing that the false words of that man are true, they will not take it. And since that would be so harmful to our fellow men, I beg you, Lord, do not disregard it; instead, grant us a miracle here.  Let it happen in this way: if what that man says is true —that I am full of malice and falseness— let this pulpit collapse with me in it and plunge one hundred feet into the ground, sinking six feet under where neither the pulpit nor I shall ever be seen again. But if what I say is true —and he, who has been won over by the devil, to deprive those who are here present from such a great blessing is saying false things— let him be punished and let his malice be known to all.”

Hardly had he finished his speech when the self-confessed constable fell flat on his face, hitting the floor so hard that it made the whole church echo. Then he began to roar, frothing at the mouth, twisting it, and his whole face, too, kicking and hitting and rolling around all over the floor.

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