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Co-author of East of Tiffany's, 13 short stories that we wrote in 6 weeks. You, too, can become a professional writer and earn lifetime royalties - See 81 reviews in Amazon.com.

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Professor Guerrero's Blog: How to Become a Writer: Marciano Guerrero (Part 4 of 20) Professor Guerrero's Blog: Book Reviews, Human Interest Articles, Accounting Lessons, and Writing Techniques

All my books are now in NOOK




Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
--Ivonnie Indrawan
College student
Sentence Openers on KINDLE

Sentence Openers on NOOK







All my books are now in KINDLE



Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

Order your copy from:

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amazon.com $5 on Kindle

$5 on NOOK



The most beloved short story from Spanish literature
All my books are in NOOK $3 or in Amazon KINDLE $3




Previous Posts


review my book "East of Tiffany's" on askDavid.com

Thursday, March 31, 2011

How to Become a Writer: Marciano Guerrero (Part 4 of 20)

Mario Vargas LlosaImage by dadevoti via Flickr
In the early 1950s, General Odria having consolidated power and been legally elected president of the republic, my father —and consequently our family— began to receive the benefits of being a loyalist. Much like Giambattista Vico tell us in his Nova Science how the nobles and feudal fiefs bestowed land and favors to their minions, my family received favors and prospered.

To begin with, my father “bought” for a token amount a half-block lot of land in the sparsely populated locality —near the port of Callao— called La Perla Alta. The adjective ‘alta’ (which means high) was added to the name to distinguish it from La Perla Baja, which was a town densely populated by people of the lower classes. In La Perla Alta my father was to build our new house.

Almost on a daily basis I would accompany my father to inspect the progress on the construction of our new house. And in a matter of months we moved in to our brand new house, a house that was the envy of those who laid eyes on it, for it was it was isolated —no other houses were visible around it, for nothing surrounded it but vacant lots— and was totally landscaped in grand splendor: green lawns, magnificent hedges, and a gravel road to the front door flanked by weeping willows and tamarind trees. And since the sea was only three blocks away, I could always hear the roar of the surf, and see and feel the fog as it lifted and steal over the house. In clear days I loved to climb to the roof and watch from the turret the shimmering green vastness of the Pacific ocean; I could also distinguish the Colegio Leoncio Prado, a military high school that much like my own high school —Colegio Guadalupe— accepted generations of rebellious children whom parents would place there more as punishment than for the rewards of education. Years later when Mario Vargas Llosa published his novel The City and the Dogs (about the life of those cadets), I felt a jolt of nostalgia, for clear in my mind were the images of those cadets marching, double timing, and conducting maneuvers and war games of attacks and retreats around my house. In the distance I could also see La Punta, a popular beach-town resort much favored by the populace of Callao.

Now that I look back, I cannot help feeling coldness, hurt, and a resentment in my heart, resentment that for many years I had transferred to the house rather than to the real culprit of my aching heart: my father’s women dalliances. Also, young as I was in those years, an incipient consciousness and distaste for corruption and power began to fill my soul. Soon I realized that I wasn’t happy living there.  Confused and disheartened I lived in that house from the age of 12 to my last year of high school, which I finished at the age of 16. But since during the school years I boarded in my high school, in reality I can say that I lived in that house for only four summers.

If our house occupied half a block, the residence of the vice-president of the republic extended to about four blocks. Most of my summer days I spent there, with my cousins whose father was the steward of the property. Since there were but a few receptions and ceremonies during the summer, we had the residence and all its facilities to ourselves, which included a game room, a library, smoking rooms, and a magnificent swimming pool. Sometimes the vice-president would throw gala parties for celebrities, Government officials, and foreign dignitaries.  From the second floor corridors, my cousins and I would watch —mesmerized by the glitter and gayety of the balls— the behavior and misbehavior of the adults. On one occasion, for the president’s birthday party, the vice-president flew in from Spain Los Churumbeles de España, a famous orchestra whose music we knew only through records. The singer, Juan Legido —Nick-named El Gitano Señorón— had become just as famous as the orchestra. How well I recall his renditions, that night, of his most acclaimed hits. And not only was he the lead singer, but he also acted as master of ceremonies, delighting the audience with a torrent of jokes, both decent and indecent.

Herman Hesse in his novel Stepphenwolf says, “every ego, so far from being a unity is in the highest degree a manifold world, a constellated heaven, a chaos of forms …” I like this. I’ve never accepted the notion —like Leibnitz’s monads, or Freud’s ego— that our individual consciousness is one, a unity. No , sir. My consciousness is made up of infinitude of events, among which the hurtful ones nudge us in different directions, pushing us to choose our own destinies.

To my ill or good star, my destiny is being fulfilled in the United States (where I toil incessantly to become a writer) and not in Peru, the country where I was born. It isn't that I love my country less, it is that I never had a chance to love it more.

To become a writer I write essays every day. Since English is my second language, in writing essays I consult Mary Duffy's Sentence Openers. When I write fiction --or fiction writing of novels and short stories-- I consult Toolbox for Writers.

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