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Co-author of East of Tiffany's, 13 short stories that we wrote in 6 weeks. You, too, can become a professional writer and earn lifetime royalties - See 81 reviews in Amazon.com.

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Professor Guerrero's Blog: Jane Austen and Rhetoric Professor Guerrero's Blog: Book Reviews, Human Interest Articles, Accounting Lessons, and Writing Techniques

All my books are now in NOOK




Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
--Ivonnie Indrawan
College student
Sentence Openers on KINDLE

Sentence Openers on NOOK







All my books are now in KINDLE



Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

Order your copy from:

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amazon.com $5 on Kindle

$5 on NOOK



The most beloved short story from Spanish literature
All my books are in NOOK $3 or in Amazon KINDLE $3




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review my book "East of Tiffany's" on askDavid.com

Tuesday, August 24, 2010

Jane Austen and Rhetoric

Cover of "Sense & Sensibility (Special Ed...Cover of Sense & Sensibility (Special Edition)
In Jane Austen’s novel Pride and Prejudice, Mary --one of the Bennet sisters and a pedant—repeats words and opinions she draw from a book on rhetoric much in vogue then: Hugh Blair’s Lectures on Rhetoric. Which shows that Jane Austen was a student of rhetoric.

In Sense and Sensibility we find some rhetorical figures:
Hyperbole is rhetorical exaggeration: “Mrs. Jennings was a widow, with an ample jointure. She had only two daughters, both of whom she had lived to see married, and she had now therefore nothing to do but to marry all the rest of the world.”

With one hyperbolic statement, Mrs. Jennings has been characterized as an idle busybody.

Oxymoron is a logical contradiction: “The sort of desperate calmness with which this was said…” And: “…unsettle the mind of Marianne and ruin at least for a time the fair prospect of busy tranquility.”

Often an oxymoron is the result of careless writing, but in the case of Jane Austen, no one can accuse her of being a careless writer—quite the contrary. By using this rhetorical figure she achieves economy of words.

Zeugma: According to Mary Duffy’s textbook Toolbox for Writers, zeugma is a group of words governed by one dominant word; a rhetorical figure which is often used to inject humor. In Sense and Sensibility we read: “…in spite of its owner having once been within some thousand pounds of being obliged to sell out at a loss, nothing gave any symptom of that indigence which he had tried to infer from it; —no poverty of any kind, except conversation, appeared.”

In the above passage, the dominant word is poverty, to which the writer attaches the secondary meaning: dull conversation.





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