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Professor Guerrero's Blog: Are Epithets and Adjectives the same thing? Professor Guerrero's Blog: Book Reviews, Human Interest Articles, Accounting Lessons, and Writing Techniques

All my books are now in NOOK




Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
--Ivonnie Indrawan
College student
Sentence Openers on KINDLE

Sentence Openers on NOOK







All my books are now in KINDLE



Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

Order your copy from:

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amazon.com $5 on Kindle

$5 on NOOK



The most beloved short story from Spanish literature
All my books are in NOOK $3 or in Amazon KINDLE $3




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review my book "East of Tiffany's" on askDavid.com

Wednesday, April 28, 2010

Are Epithets and Adjectives the same thing?

Cover of "The Iliad"Cover of The Iliad


Although most writers use both terms interchangeably, we must recognize that there is a huge difference between the two: adjectives are constituents of speech, at the same level as nouns, verbs, adverbs, conjunctions, prepositions, pronouns, and interjections.

Epithets are artificial modifiers made up by writers for many reasons, but they aren't constituents parts of speech as the ones mentioned above.

In Homer's Iliad, we read:
When the next day Dawn showed her rosy fingers through the mists, the people gathered around the pyre of Hector. First they quenched the flames with wine whetever the fire had burnt; then his brothers and his comrades gathered his white bones, with hot tears rolling down their cheeks. They placed the bones in a golden casket, and wrapped it in soft purple cloth; this they laid in a hollow space and and built it over with large stones.

We see --by reading carefully the above passage-- that adjectives modify nouns: "white bones," "hot tears," "golden casket," "soft purple cloth," "hollow space, and "large stones."

But when we read: "Dawn showed her rosy fingers through the mists," we are reading an epithet. Doubtless the subject is Dawn, and the act of showing "her rosy fingers through the mists," is more than a modification and description; it extends over a whole scene by giving the reader thorough knowledge not only of the subject but by casting light on the entire scene. Dawn brings light, it replaces the pyre, and the flames that were quenched. In her light we can visualize the scene in splendid colors: white, golden, and purple.

But Homer was Homer. And today we have no Homers.

Today we have reduced epithets to the status of simple modifiers. Some epithets have become part of the subject as in Richard the Lionhearted and Alexander the Great. Others are mainly ornamental just as adjectives are.

But artistry comes into the text when writers consciously employ epithets consistently throughout their work. Let's see how Jane Austen (in Pride and Prejudice) uses Mrs. Bennet's 'nerves' not only in different scenes, but throughout the entire book, so that at the end the lady's nerves get into our own nerves:
'Mr Bennet, how can you abuse your own children in such a way? You have no compassion on my poor nerves.'
'You mistake me, my dear, I have a high respect for your nerves. They are my old friends.'

From the above dialogue, we can see that epithets can be powerful tools of sarcasm and insult.

  • Oxymoron in Action

  • IanFleming's Intransitive Verbs

  • Orwell's Rules for Writing

  • How to Use Similes

  • What is an Allegory?

  • StephenKing vs StephenieMeyer

  • If you are interested in seeing how I achieved personal success in the United States, you may find my book of short stories East of Tiffany's interesting. Some of the stories are based on my life as an executive, investment banker, and financial adviser to wealthy investors in the East Side of Manhattan.
    Close to half-million people have read East of Tiffany's so far. Order your copy from either Amazon.com or Barnes and Noble.
    Since English is my second language, Mary Duffy --a master of the English language-- aided me not only with the editing, but she also contributed her own stories. I love her writing in "When You Wish Upon a Star." This is a story based on a personal friend's life.

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    Senada Selmani, model

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