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Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
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Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

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The most beloved short story from Spanish literature
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Tuesday, March 2, 2010

Jean Jacques Rousseau: Inventing a Literary Genre

Phan studied the works of Enlightenment philos...Image via Wikipedia

Jean-Jacques Rousseau (1712 - 1778), musician, vagabond, philosopher, prose stylist, novelist, educator, and acknowledged father of the French Revolution and Romanticism, remains today a colorful character --both derided and revered.

In this article I will focus on his Confessions to explore his contribution not only to the genre, but also to writing. While Rousseau was a serious writer, deep as an ocean in his philosophy, yet shallow as a brook in his Confessions.

Rousseau moves in Augustine's shadow: Thus begins Rousseau's Confessions: "I am commencing an undertaking, hitherto without precedent, and which will never find an imitator." Only a fool or a genius could dare open a book with a statement that will prove to be wrong in its two assertions.

Asserting that the undertaking is not "without precedent" is wrong because Augustine's Confessions is a definite precedent; and furthermore, Rousseau himself cites Augustine's book in his own Confessions. Today, Rousseau's Confessions have a constellation of imitators.

To be fair we must say that Augustine's Confessions followed the traditional catholic confessions in which the offender would seek to expiate his sins by means of a voiced acknowledgment of his transgressions. With Rousseau confessions become more of a psychological and fictional narrative, initiating in this sense a 'modern' way of autobiographical confessions.

Faced with severe criticism from his enemies, Rousseau decides to write a book that would show him as "a man in all the truth of nature." In the process he assures us that every bit of detail that he tells us nothing but pure fact: "This is what I have done, what I have thought, what I was. I have told the good and the bad with equal frankness. I have neither omitted anything bad, nor interpolated anything good."

Yet, Voltaire wrote that Rousseau placed his five sons in orphanages. Who shall we trust? Is Rousseau a hypocrite attempting to cleanse his personal record with a sanitized 'confession?'

Rousseau on psychology and language: While Augustine pondered the mansion and many chambers of memory, Rousseau theorized on 'the self,' the problem of identity, and language. In his "Essay on the Origin of Languages" (Essai sur l'origine des langues) he speculates on the possible sources of speech. But it is in the Confessions that he puts into practice those sources of speech: the signs and supplements of the original objects and presences.

Rousseau writes: "I would never finish if I were to describe in detail all the follies that the recollection of my dear maman made me commit when I was no longer in her presence. How often I kissed my bed, recalling that she had slept in it, my curtain, and all the furniture in the room, since they belonged to her and her beautiful hand had touched them, even the floor, on which I prostrated myself, thinking that she had walked upon it."

As Derrida has made clear, Rousseau is using signs --written words-- to bring about a presence ('maman') that is absent. And though such absence will never materialize, it has the power to move him as if it were the real "thing-in-itself." Therefore, the bed, the curtains, the furniture, the room itself, are all signs that enable him pursue 'the recollection' and thus by means of mental impressions and signifiers create the signified.

In his own informal way Rousseau anticipated not only Freudian psychology, but also the work of Ferdinand de Saussure, Structuralism, Deconstruction, the linguistic turn, and other theorists.

One has to wonder if the much admired work of many writers of the 19th and 20th centuries would have gotten so far, had not Rousseau laid the foundations? In spite of the fact that many intellectuals have little respect for his personal adventures, lies, and the grotesques acts of a rascal, his work is serious and original.

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