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Professor Guerrero's Blog: Jane Austen's Emma - Clueless - Brittany Murphy Professor Guerrero's Blog: Book Reviews, Human Interest Articles, Accounting Lessons, and Writing Techniques

All my books are now in NOOK




Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
--Ivonnie Indrawan
College student
Sentence Openers on KINDLE

Sentence Openers on NOOK







All my books are now in KINDLE



Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

Order your copy from:

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amazon.com $5 on Kindle

$5 on NOOK



The most beloved short story from Spanish literature
All my books are in NOOK $3 or in Amazon KINDLE $3




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review my book "East of Tiffany's" on askDavid.com

Monday, December 21, 2009

Jane Austen's Emma - Clueless - Brittany Murphy

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Endowed with wealth, brains, and good looks, Emma Woodhouse (twenty-years old) busies herself with other peoples’ lives as she —thinking herself worldly and clever— goes about scheming and conjuring up romantic liaisons.

But it will turn out that she’s neither worldly nor clever, but naïve! And that in the end the only love match that really matters is her own. Dialogue supplies an immediate image of Emma. In reply to Mrs. Weston’s question: "She is loveliness itself. Mr. Knightley, is not she?" Mr. Knightley responds: "I have not a fault to find with her person," he replied. "I think her all you describe. I love to look at her; and I will add this praise, that I do not think her personally vain. Considering how handsome she is, she appears to be little occupied with it; her vanity lies another way."

From the very beginning we can see that neither beauty nor vanity seem to be the theme of the story but—meddling. When Emma’s governess-companion marries and leaves the Woodhouse household, Emma finds herself on her own; that is without a female voice of wisdom. Soon, she befriends a 17-years old illegitimate girl named Harriet, taking upon herself the duties of a matchmaker.

Though Harriet is a sweet girl, she isn’t so well-read or bright. Emma has her own opinion of her: She had always wanted to do everything, and had made more progress, both in drawing and music, than many might have done with so little labour as she would ever submit to. She played and sang -- and drew in almost every style; but steadiness had always been wanting.

Next, Emma prevents Harriet from marrying farmer Robert Martin, who though decent, Emma thinks he’s ‘beneath’ her. The novel depicts the British social system of hierarchies and inequalities, where titles of nobility and the landed gentry are the regents of the majority of the population. Intrigues, conspiracies, and much cleverness fill Emma’s head as she cooks up schemes upon schemes to guide the docile Harriet.

For this Emma proclaims her maxim: “I lay it down as a general rule, Harriet, that if a woman doubts as to whether she should accept a man or not, she certainly ought to refuse him. If she can hesitate as to "Yes," she ought to say "No" directly.'" Having formed an opinion of Emma, at this point, readers can see how misguided she is. Emma’s father is a feeble old man given to whining and wishing everyone to see the world as he himself sees it.

Although he’s a benign character, he proves incapable of giving sound counseling to his daughter. So father and daughter agree, “That is the case with us all, papa. One half of the world cannot understand the pleasures of the other." To all of Emma’s interventions, Mr. Knightley —a man of reason, common sense, and much nobility of heart— disapproves, and once in a while warns Emma of her meddling. When Emma goes beyond her childish trickery and insults the town’s spinster, Miss Bates, Mr. Knightley reprimands Emma, causing her to realize that she had turned into a selfish and careless brat. Much self-knowledge will come to Emma from this episode.

The mysterious characters Frank Churchill and Jane Fairfax add much thickness to the plot, which in some parts reads like a detective novel. The interaction between Emma and Frank and Jane helps Emma grow up and find a spiritual center.

When Harriet tells her that she is in love with a man of a higher social standing and that he is being corresponded, Emma believes that man to be Mr. Knightley! Expecting to be told that Knightley will confirm his love for Harriet, she’s awakened fully to the pangs of love when he —instead— declares his love for her.

And all is well that ends well: Harriet marries Mr. Martin and Emma Mr. Knightley.

Although I admire Jane Austen’s novels, I cannot help but to cringe at the British caste system that she describes. Titles of nobility, hierarchies, landed gentry, inequality, advantages over the common people, and so forth are all in my view detestable.

The founding fathers of the United States of America wrote in the Constitution: The constitution of the United States provides that no state shall "grant any title of nobility; and no person can become a citizen of the United States until he has renounced all titles of nobility." So, let’s keep it that way.

Augustine, City of God
Austen J, Pride and Prejudice
Austen J, "Marriage Proposals and Me"
Austen J, Emma
Borges, The Aleph
C. Bronte, Jane Eyre
Burroughs E,Tarzan
Cervantes, Don Quijote
Chaucer, Wife of Bath
Coelho P,The Alchemist
Coyle H, They Are Soldiers
Dante, New Life
Dickens C, David Copperfield
Dostoevsky, Crime&Punishment
ConanDoyle,Hound of Baskervilles
Dubner S, Superfreakonomics

DuMaurier D, Rebecca
Ellis B. E. American Psycho
Fitzgerald S, Great Gatsby
Flaubert G, Madame Bovary
Fleming I,Doctor No
Freud S, Leonardo Da Vinci
Friedan B, Feminine Mystique
GarciaMarquez, Of Love & OtherDemons
GarciaMarquez,OneHundredYrs
Guerrero M,ThePoison Pill

Grass G, The Tin Drum
Harris T, Hannibal Rising
Heidegger M,House of Being
Ishiguro K, Remains of The Day
Johnson S,Rasselas
Kafka,Metamorphosis
Kosinski J, The Painted Bird
Lee H,To Kill a Mockingbird
McBain Ed,Gutter and Grave
Murakami H,Wind-Up Bird Chronicle
Nabokov V, Lolita
Meyer, S, Twilight
Ortega,Dehumanization of Art
Poe E A, Gordon Pym
Prose F, Reading Like a Writer
Rushdie S,Midnight Children
Sabatini R, Scaramouche
Spark M, Prime of Miss Brodie

Stendhal, Red and Black
Sterne L,Tristram Shandy
Stevenson R, Dr.Jekyll & Mr.Hyde
Stoker B, Dracula
Thackeray W,History of Pendennis
Tolstoy L, Anna Karenina
Trollope A, Autobiography
Unamuno M, Tragic Sense of Life
Voltaire, Candide
Webb J, Fields of Fire
Wharton E, The House of Mirth
Woolf V, To The Lighhouse


The secrets of 'no-doze' prose:
Mary Duffy's Sentence Openers



Lindsey Vonn after winning the Downhill World ...
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Lindsey Vonn





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