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Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
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All my books are now in KINDLE

Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

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The most beloved short story from Spanish literature
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Saturday, September 26, 2009

Possessive Nouns That Call for The Apostrophe

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One of the oldest traits that makes man human --and something that we can all relate to-- is 'possession.'

While animals are fiercely territorial, humans are fiercely possessive. We compete so that we can win something, be that an asset or some abstraction such as fame and glory. In fact, Jacques Rousseau, in his Discourse in Inequality #2 affirms that, "The first man who, having enclosed a piece of ground, bethought himself of saying "This is mine," and found people simple enough to believe him, was the real founder of civil society."

So, as we say in the vernacular, "possession is nine tenths of the law," meaning that very little comes between us and what we own. And this very human trait is reflected in language.

Notice the following examples:

Lady's existence
Children's crossing
Doctor's patient
Grant's Tomb
Tom's arm
The wolf's leg
Angel's breath
God's tribunal

Nothing but the apostrophe comes between the possessing agent and the thing possessed. Furthermore, notice that the agents are both people, animals, and sentient beings.

When we ascribe possession to animate and inanimate beings that aren't endowed with either mind attributes (thinking, reasoning, cognition), or feelings and emotions, then the possession is expressed with the preposition 'of.'

The life and soul of the party
The root of all evils
The shadow of your smile
The Red Badge of Courage
The windows of the soul

When a writer intends to deprecate a character, that is done by denying the apostrophe to the character, which is tantamount to denying that the character has human-like qualities. We can see this in Charlotte Bronte's Jane Eyre:
"Silence!" ejaculated a voice; not that of Miss Miller, but one of the upper teachers, a little dark personage, smartly dressed, but of somewhat morose aspect..."

But to humanize the hero:

"Whose house is it?"
"Mr. Rochester's."

Conclusion
  1. Restrict the use apostrophes to signify possession by humans, animals, and sentient beings.
  2. Use the preposition 'of' to signify possession by both animate and inanimate things, and non-sentient nouns.


Senada Selmani, model

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