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All my books are now in NOOK




Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
--Ivonnie Indrawan
College student
Sentence Openers on KINDLE

Sentence Openers on NOOK







All my books are now in KINDLE



Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

Order your copy from:

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amazon.com $5 on Kindle

$5 on NOOK



The most beloved short story from Spanish literature
All my books are in NOOK $3 or in Amazon KINDLE $3




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review my book "East of Tiffany's" on askDavid.com

Wednesday, September 30, 2009

Adjectives Are Coloring Words That Splash

Screenshot of To Kill a Mockingbird(an America...

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Not long ago as I was re-reading Harper Lee’s To King a Mockingbird, I noticed something that I had skipped over so many times in past readings: a grammatical lesson on the adjective, right from the narrator’s mouth.

Scout says: “Atticus told me to delete the adjectives and I’d have the facts.”

What are adjectives?
Atticus Finch was correct in his advice. In general adjectives limit, narrow, describe, embellish, adorn, or simply encroach on nouns. But they don’t change them. Strip the nouns of all qualifications and there you have the plain, naked facts.

But it just happens that plain nouns are boring. To break the tedium of using boring language writers often embellish their text with an abundance of adjectives which often are unnecessary. Even master writers sin.

Take Bram Stoker in Dracula:
Dracula’s castle was dark, damp, and desolate.
Maybe one simply adjective could have done the job:
Dracula’s castle was stark.

Except that by attempting to be minimalist we could be destroying the full meaning of what the author was trying to convey; not to mention the rhetorical aspect: destroying the alliteration.

Adjectives are “coloring words” and add content to the sentence. Adjectives can be detected easily enough because they respond to the questions:

What kind of noun is it? If you go to “Best Buy” and tell the attendants at the counter: “I want to buy a computer,” I’m sure you will be asked: “What kind?” You’ll be prompted to give an adjective —laptop, a Mac, a PC— to narrow the noun ‘computer.’ Which noun is it? Or Which one? How many of that noun are there?

Another interesting fact of the English language is, that while most of us learned in school that adjectives modify the nouns and pronouns, few of us know that adjectives are also used to qualify verbs—linking verbs, that is.

What are linking verbs?
Linking verbs are verbs that express a state of being rather than an action: for example, to feel, to taste, to look, to remain, to become, and to turn.
My dog Pepino felt badly.
These peanuts taste sweetly.
We looked well as a team.
We remained calmly.
The accounts receivable turned badly and uncollectible.

Because we are conditioned to follow the well known rule that an adverb qualifies a verb we have the tendency to apply such rule in all cases, as we did above. But that is the wrong thing to do! Blindly following the rule will get us into trouble, as we will appreciate after we read the following section.

An adjective must follow a linking verb

My dog Pepino felt bad [not badly].
These peanuts taste sweet [not sweetly].
We looked good [not well] as a team.
We remained calm [not calmly].
The accounts receivable turned bad and uncollectible.


The writing techniques I employ in this article are all explained in Mary Duffy's writing manual:

Sentence Openers


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