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Professor Guerrero's Blog: Oxymoron in Action Professor Guerrero's Blog: Book Reviews, Human Interest Articles, Accounting Lessons, and Writing Techniques

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Ideas About the Novel by Ortega y Gasset - my translation $3
Ideas About the Novel is a prophetic book. Years before academics and critics attempted to analyze the problems of the Novel, Jose Ortega y Gasset dissected it —and to some extent saved it— by pointing out that (1) the novel should show and not tell (2) the novel should move from plot to character, and (3) the novel as a non-transcendent art form—and much more.

Torquemada at the Stake by Perez Galdos- my translation $3
Next to Cervantes, Benito Perez Galdos is the most beloved Spanish writer of all times. In creating the anti-hero Torquemada, Galdos created a prototype that will endure the generations to come. Don Francisco Torquemada, usurer, business man, loving father, and tormented soul--is a character of unmatched peaks and psychological valleys. This fresh translation captures the experiences of 19th Century life in Madrid; all in contemporary English.

Lazarillo of Tormes - my translation $3
Read it in contemporary English -- No Thous, Thees, or King James' Bible language. Transliterated into easy language for enjoyable reading pleasure. Because The Lazarillo of Tormes pointed a new direction, European and American literature benefited with titles that today are considered classics: Cervantes’ Rinconete and Cortadillo; Daniel Defoe’s Moll Flanders, Henry Fielding’s Tom Jones and Joseph Andrews; Tobias Smollett’s Roderick Random, and Peregrine Pickle; Voltaire’s Candide; Charles Dickens’ David Copperfield. And many others to include American works ranging from Mark Twain to Saul Bellow.

Dehumanization of Art by Ortega y Gasset - my translation $3
The Dehumanization of Art— is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art. According to Ortega, the arts don't have to tell a human story; art should deal with its own forms—and not with the human form.

Sentence Openers
How writers open their sentences makes prose agile, interesting, and athletic. This e-book teaches how to break the pattern Subject-verb-object--and discard openings that begin with nouns, articles, and pronouns.

East of Tiffany's - bestseller $5
With the city as its backdrop "East of Tiffany's" is filled with earnest tales of love, loss, faith, success and morality. While business terminology is interwoven throughout these short stories, it's not business lessons that I take away with me, but life lessons. The circumstances and the characters' profound humanity are relatable despite their zip code . "Luke, Postmodern Man" offers a new vista into faith, suffering, and love of neighbor. Way after you read this book you'll find yourself thinking about the various characters throughout the series of stories and will find solace in their unwavering faith. The narrators' ability to reflect on their hardships with such serenity is inspiring.



My writing was as flat as a sidewalk. And then I downloaded ...

Mary Duffy's Sentence Openers
After I purchased Mary's e-book I started to get 'A's in my essays and term papers! Every page is filled with great writing tips, training lessons, and wonderful useful writing skills! Not only do I write essays for college, but also short stories!
--Ivonnie Indrawan
College student
Sentence Openers on KINDLE

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All my books are now in KINDLE



Ideas About the Novel by Ortega y Gasset - my translation $3
Torquemada at the Stake by Perez Galdos- my translation $3
Lazarillo of Tormes - my translation $3
Dehumanization of Art by Ortega y Gasset - my translation $3
Sentence Openers
East of Tiffany's - bestseller $5

Mary Duffy and Marciano Guerrero's East of Tiffany's success stories

I wrote these success stories in 6 weeks and self-published the book. To date close to 800,000 people have read these stories. Fiction can be a source of pleasure and continued income as well. If you like writing--you can do the same and earn royalties for life!

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The most beloved short story from Spanish literature
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review my book "East of Tiffany's" on askDavid.com

Friday, May 1, 2009

Oxymoron in Action

Even St. Augustine seizes an oxymoron to illustrate the doctrine of original sin: Felix culpa (“Oh, most fortunate fall”). And when Nicholas of Cusa challenged the rigidity of Scholasticism, he summarized it as learned ignorance, which is also the title of his book, De docta ignorantia . Obviously, this is a masterful use of the oxymoron.

From this discussion we can see that the precise insertion of the oxymoron can shake up the reader (in particular the skeptic, cynic, or irreverent) and as the philosopher Immanuel Kant said, ‘awaken him from his dogmatic slumbers.’ And incidentally, Kant himself in his Critique of Judgment used antinomies—another name for oxymoron—to convey his sense of beauty as ‘purposeful without purpose,’ and ‘a finality without end.’

When Don Quijote returns to his village to die free from his delusion, we learn that he only exchanged one insanity for another; that of becoming a virtuous, amorous shepherd. His friends, “approved his [new] madness as sensible” (Cervantes 932).

The erudite Argentinean writer Jorge Luis Borges delighted in the use of the oxymoron, and his essays and stories are all speckled with numerous examples. Here’s one:
Beatriz was tall, fragile, very slightly stooped; in her walk, there was (if I may be pardoned the oxymoron) something of a graceful clumsiness … (Borges, The Aleph 275).

Ishmael, the narrator of Moby Dick, explores the horror of whiteness by means of the oxymoron: Or is it, that as in essence whiteness is not so much a color as the visible absence of color, and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning … (Melville )

As you can see, master writers use this rhetorical figure to great advantage. Remember Henry James’ admonition: the only obligation the writer has is not to be boring. So, use it—to startle, to astonish, and to make the reader think along with you.

Senada Selmani, model

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